These span the gamut from not being able to open legacy projects (very bad) to missing tape support (not as bad). Let me bring you up to speed if you don't already know how the drama unfolded: FCP X was met with mixed reactions, most of them negative, thanks to a healthy set of missing features that video professionals rely on. Unless you've been under a low-tech, Internet-less rock for the past two weeks, you've probably heard about Final Cut Pro X, the latest version of Apple's professional video app, if only in passing. Which is why the recent, most contentious example of Apple's approach-the FCP X launch-wasn't much of a surprise to me. While I'm deeply invested in Apple's desktop Mac Pro line, I'm also realistic about Apple's faults and about how the company views content creation professionals as it becomes increasingly consumer-oriented. It doesn't get much more "pro using a Mac" than me, if you'll forgive the utter lack of modesty. I frequently see my requested features rolled into the high-end 2D and 3D software that I beta test, I exploit OS X's scripting features to work faster, and my inkjet printer takes four people to move. The Mac I'm typing this on, with all the trimmings, is worth over $10,000 the software it runs is worth more than that. ![]() I've been a professional Mac user for 17 years and have experience with a broad field of high-end content creation, as my career has included photo retouching and compositing, magazine art direction, and 3D rendering and illustration. ![]() I'm not just an armchair Mac analyst looking to make a dime off the FCP X love/hate parade. The company won't ditch creative pros-but that doesn't mean there won't be serious rough spots ahead. ![]() Was FCP X just a single, poorly handled event or was it an indication of Apple's direction from now on, media pros be damned? With all this talk of bringing iOS features "back to the Mac," is OS X about to lose its luster for content creation? Is the Mac Pro going the way of the XServe?Īpple doesn't answer such questions about future plans, but it's not hard to read Apple's palms if you look hard enough. The FCP X launch, and the discontent surrounding the new product, fed into a larger anxiety about Apple's intentions for the pro Mac market. Most can also agree on Michael Jackson's fate-making a lot more albums from beyond the grave-but people aren't so sure about Final Cut Pro's future. So, Michael Jackson is dead and Final Cut Pro X is out, and most people prefer the older versions of each.
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